Monkeys are cute but are not domesticated animals Dogs are domesticated and cute and our best friends. Choose a dog every time over exotic pets and you will be happier.
Friday, March 29, 2013
Pity Earth’s Creatures
Jillian Tamaki
Pity Earth’s Creatures
By EDWARD HOAGLAND
Edgartown, Mass.
AESOP, the fabulist and slave who, like Scheherazade, may have won his
freedom by the magic of his tongue and who supposedly shared the Greek
island of Samos with Pythagoras 2,500 years ago, nailed down our
fellowship with other beasties of the animal kingdom.
Yet we seem to have reached an apogee of separation since then.
The
problem is, we find ourselves quite ungovernable when operating solo,
shredding our habitat, while hugging our dogs and cats as if for
consolation and dieting on whole-food calories if we are affluent
enough. Google Earth and genome games also lend us a fitful confidence
that everything is under control. We have Facebook, GPS apps, cameras on
any corner, week-ahead weather forecasts round-the-clock on-screen,
repair crews ready to restore “power” if it ever flickers out.
Power to the people is a worldwide revolutionary slogan advancing
democracy, but presupposes a more ancient meaning: the prehistoric
conquest of every other vertebrate on earth. When I lived on Samos
myself in 1965, I heard about perhaps the last wild leopard killed in
Europe. It had swum across the strait from Mount Mycale in Turkey, only a
mile or so away, presumably a bachelor seeking virgin territory, and
when discovered and chased, had taken refuge in a cave, where the
Samians promptly walled it in to die of thirst. Wouldn’t you have done
the same? I suspect that Aesop, however, might have advocated setting it
free to garland the 27-mile long island (and thus Europe) for a few
more years with a last whiff of the eons preceeding modernity.
Sadistic flicks, sea rise, assassination drones: are we up to playing
God? A tectonic shift in civilization has never happened this fast
before, and we’re still part-chimpanzee with double Ph.D.’s in trial and
error. Invent pesticides and see what they do to our organs, sell
civilians assault rifles and count the schoolhouse shootings, experiment
with longevity and economics, friendship and cellphoning. By our own
account we’re pigs, yet bearish, owly but mousy, catty and bovine. We
beaver at work, hawk merchandise, and ape others by parroting them.
We’re lemmings, wolfish, snakes in the grass, weasels, bucks, hens,
leonine or sharks. We’re beaky or tigerish, doe-eyed, raven-haired,
foxy, chicken-hearted, slow as a tortoise, meek as a dove, sheepish,
dogged, old goats, goosey, sitting ducks or vultures. We butt in, bull
ahead, change our stripes or spots, strut like a peacock, weep crocodile
tears, ram through or swan about. We’re rabbity, calf-eyed, we beat our
chests like gorillas, buzz off, or act like a jellyfish.
Aesop
would perk his ears, pick up a pen at this thicket of still current
figures of speech. But what he, Aristotle, Linnaeus, Darwin, Emerson,
Kipling would make of what’s going on should give us pause. I don’t mean
whether they would like e-mail and “the cloud” so much as the price in
demolitions paid, the dramatis personae wiped out. Even Isaac Newton,
sitting in his apple orchard, might wonder, “what have you done with the
birds?” — was it a fair trade? Will Robert Frost be the last great poet
to notice that leaves are gold before they’re green? And his beloved
stars; where are they? Would Newton need to fly to Australia or the
Andes to gaze at them as before — and feel the magic of the plane was
worth it? So much of creation has gone up in smoke to produce glass
skyscrapers flocks fly into, superhighways, on-demand electronics, seven
billion people in flabbergasting densities, that it’s anybody’s guess
what these luminaries would say. Would they prefer what used to be
called “God’s green earth?”
It’s a steeplechase,
hell-for-leather and exhilarating, for the highest stakes, but not
knowing where we’re going. Call it progress or metastasizing, what we
have done as a race, a species or a civilization is dumbfounding. Every
inch of the planet is ours, we claim, and elements of clear improvement
are intertwined with cancerous excess: the two-car American dream
empowering women’s independence but engendering horrendous African
droughts. Would Emerson and Aristotle find their hair standing on end,
or would they grin so hard their mouth muscles finally wore out? And
Darwin’s reaction to the tsunami of discoveries succeeding his? A ride
on the subway, a month of inquiries, a walk in the park? “Is there any
nature left?” he might ask, without concluding if he was pleased. Planes
high as the sky, kids with instant gratification from fingering a
gizmo, and no gangrene. The seethe dizzies us, also (two billion people
were alive when I was born), though we’re acculturated to extraordinary
amounts of disorientation — the steely shriek of wheels underground,
hostile searches at airports, changing lanes in heavy traffic at a mile a
minute, sudden bureaucratic notifications — without blowing a fuse.
Strokes and heart attacks we postpone by surgery or pharmaceuticals,
plus an evolving tolerance for stress.
Yet my patriotism is
shifting, from America in its triumphalism toward the wider sphere of
everywhere: Africa, India, England and New England. The total entity is
entering troubled waters. There are precedents for our imperial decline
but not, in written history, for climate alteration on the scale that’s
looming or for gargantuan extinctions in forest and ocean — our global
skin. Simulations have become an addition for us, collaging reality into
surrealism and taming it for convenience, entertainment or profit.
Simulations are faster, zanier and tailored to our preferences,
sentimental or otherwise.
IT’S fantasy, amusing, but as
technology closes in upon mimicking God, once again are we up to it? Who
shall live, who shall die? We’ll save the pandas and the whales that
sing prettily, but, like godlings, we’re playing with fire and water,
tides and industry. The “City Upon a Hill” will have wet feet even if
scientists simultaneously, let’s say, clone a mammoth to prove their
prowess. I’d like to ogle the mammoth but would prefer to hear the
bobolinks and wood thrushes singing in the spring as before. We have
Dumbo but are losing Jumbo for his ivory (remember the cruel phrase
“tickle the ivories,” for piano-playing?), and the former needs the
latter for good grounding.
Kindle presents a lapful of world
thought and literature on tap at a tap, but will the owners pore over it
with wholehearted absorption, as book lovers used to do? And when cars
drive themselves, will the operators lavish their leisure on the
landscape or on a tablet in their hands? We’re a species as slippery as
mercury, appropriating any space of every shape from the Sahara to the
Arctic Circle, so perhaps we can adapt to surreal simulacra transmitted
through the ether, too. At least a critical mass of observers has not
yet turned pessimistic. Photosynthesis we’ll have for growing calories,
plus the blessings of rain, and like lichen, be hard to dislodge even in
extremis from the rocks of our home, living willy-nilly in reduced
bands. A sparer version of civilization may emerge, a throwback to
leaner virtues. To kill so vastly as we have (a third of life?) and yet
remain unscathed seems unlikely. I do meet younger people who are
fervent about reform. Theirs is a preliminary zeal, still suffocating
underneath the indifference of older generations.
But love is
central to life, now and again overriding selfishness for a spell. Love,
mercy, pity are vividly called for with respect to corals, songbirds,
sea mammals, lofty trees and other majesties, not to mention endangered
pleasures like eating clams and marveling at the starshine in the
depthless heavens. Nature is undefended by the powers that be, having no
vote or much innate appeal to the sort of “people people” who run for
office. They don’t saunter (Thoreau’s favorite term) and gaze, turn off
the motor and open the window when passing a pond to hear the spring
peepers sing — won’t know if the frogs have all died from toxicities.
They’ll jog on a treadmill for their heart’s health while scanning
spreadsheets. It’s not just ponds being steamrollered for industry, but
gazing itself being lost to Twitter. The attention span involved in
formulating a menagerie out of cloud shapes in the sky while lax on
one’s back in the grass has been eclipsed by what’s interesting
on-screen 20 inches away, and conscientious parents will troop their
youngster to a planetarium, as to the dinosaur hall next door. These
stars at least are carbonated, a firmament in whirligig mode, like the
animated characters that populate children’s programs.
Mason
jars and the verb “leapfrog,” instructive bedtime stories like “crying
wolf” and the goose that laid the golden egg, or the image of Death as a
somber figure hefting a scythe — are these all gone? Certainly wolves
and scythes are, and the 30th-generation captive-bred lion lying
sleepily on cement in a zoo will be no match for the pep and gab of
pizazzy graphics designed for a new century. Even if we’re fired or a
hurricane is predicted, the temptation is simply to switch channels.
“Out of the woods” once meant clearing your head, or protesting “in a
pig’s eye” if you couldn’t. “You can lead a horse to water,” we’d tell
the boss before quitting. Will we still “crow” about small victories,
speak of a predatory matron as “a cougar” or somebody scammed as a poor
“fish” — still sniff the scent of loam and cedar, dangle our feet in a
creekbed (unless we feel “a frog” in our throat) and “eagle eyed,” scan
the sky for barn swallows and chimney swifts or a glistening meadow for
spider webs jeweled by the dew?
Mostly that’s over, but
Aesopian metaphors were artesian if not prehistoric. The tortoise and
the hare, the lion saved by the mouse, the monkey who would be king, the
dog in the manger, the dog and his shadow, the country mouse and the
city mouse, the wolf in sheep’s clothing, the raven and the crow, the
heron and the fish, the peacock and the crane. From where will we draw
replacement similes and language? Pop culture somersaults “bad” to mean
good, “cool” to mean warm, and bustles and bodices segue into tank tops
and cargo pants, as in a robust society they should. But will a natural
keel remain, as we face multiflex, multiplex change? “Hogging” the
spotlight, playing possum, resembling a deer in the headlights, being
buffaloed or played like a fish: will the clarity of what is said hold? A
“tiger,” a “turtle,” a “toad.” After the oceans have been vacuumed of
protein and people are eating farmed tilapia and caked algae, will
Aesop’s platform of markers remain?
Edward Hoagland is a longtime nature and travel writer, and the author of the forthcoming novel “Children Are Diamonds: An African Apocalypse.”
No comments:
Post a Comment