The cartoon character Tintin, first introduced in 1929, has been so wildly popular in Europe that Spielberg and his producer Peter Jackson may be hoping for a similar bonanza stateside. But Tintin – and “The Adventures of Tintin” – may prove a bit too quaint and well-mannered for American audiences. Maybe this is why Spielberg throws so much highflying action, uncharacteristic of Hergé, into the mix. He’s trying to infuse a European-style boy sleuth escapade with some American-style whiz bang. He’s hoping, in vain I think, that this motion-capture “Tintin” will yield box office “Goldgold.” Grade: B (Rated PG for adventure action violence, some drunkenness, and brief smoking.)